Rooted in Originality, Redefining the Global Language of Eastern Aesthetics

ZHIFU Unveils “Harmony in Bloom” 2026 High Jewelry Collection in Xiamen

 

  Xiamen, China | September 21, 2025 — Renowned Chinese fine jewelry house ZHIFU, founded in 1871 on Gulangyu Island, unveiled its “Harmony in Bloom” 2026 High Jewelry Collection at the iconic Andaz Xiamen Hotel. With its heritage-inspired archways and intricate Nanyang-style tiles, the venue echoed the brand’s ethos of “infusing culture into jewelry”, becoming the perfect setting for this grand celebration of Eastern aesthetics.

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       Marking over 150 years and five generations of unwavering dedication to Chinese jewelry artistry, ZHIFU introduced eight globally premiered haute joaillerie collections, guided by two original creative pillars: “Soul of All Things” and “Flourishing Blossoms”. From reimagining the purity of the lotus and the grace of the magnolia, to symbolizing the mythical strength of the dragon-tortoise and honoring the swallow’s ties to home and nation — ZHIFU delves deep into the spiritual symbolism of classical Chinese culture, going far beyond superficial replication of ancient motifs.
By fusing Minnan heritage goldsmithing with modern high jewelry craftsmanship, ZHIFU blends natural imagery and cultural meaning into every gemstone and metal form. The result: timeless pieces rich in emotional warmth, cultural depth, and original artistry — and a bold new language for Chinese fine jewelry on the global stage.

Crowning Achievement: HARMONY Collection – A Masterpiece of Classic Culture and Oriental Aesthetics

       The HARMONY Collection stood as the centerpiece of the event, guided by the philosophy: “Infuse the soul of classical culture; evoke the rhythm of Eastern beauty.”It masterfully unites the 5,000-year lotus totem of Chinese civilization with Minnan intangible heritage craftsmanship, resulting in a collection that bridges the spiritual and the wearable — offering both haute couture masterpieces and refined daily jewelry.
The concepts of “Harmony (和)” and “Beauty (美)” are deeply embedded in the Chinese spirit: echoing ancient philosophical ideals of “natural integration and unspoken grandeur,” and resonating with the Minnan cultural pursuit of balance and completeness. The lotus, central to this narrative, has long embodied Confucian virtue, Buddhist transcendence, and Taoist purity. ZHIFU further elevates its symbolism by merging it with the Dunhuang Baoxiang flower, refining a visual language of “harmonious completeness” that strikes at the heart of the Chinese aesthetic.
 

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While Western maisons often depict the lotus in realistic or geometric forms, emphasizing external beauty, HARMONY breaks new ground with its Eastern reinterpretation. Instead of literal petals, the designs evoke roundness, grace, and fullness, capturing the philosophical essence of “harmony in diversity.” Every curve reflects a uniquely Oriental pursuit of gentle elegance, transforming the lotus from a botanical motif into a cultural emblem — a vessel of thought, not just form.


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To breathe life into the lotus’s spiritual grace, ZHIFU seamlessly integrates Minnan intangible heritage craftsmanship into modern techniques — each requiring hundreds of iterative refinements.

“Iridescent Flat Mosaic” is a patented setting inspired by the traditional “gold thread piercing” technique, sculpting gold surfaces with micron-level precision to create a mirror-finish base that vanishes beneath the stones — achieving the effect of “all gem, no gold.”
The original “Floating Petal Structure” links over 200 meticulously engineered components, allowing the lotus petals to sway with the wearer’s movements, mimicking a breeze over a lotus pond — a living embodiment of poetry in motion.
The “Prism Light Mount” reduces metal interference to a minimum, allowing diamonds to sparkle with rainbow brilliance even under soft lighting — as if the moonlight dances over still water. 

 

New Collections: Celebrating the Chinese Spirit Through Cultural Icons

In addition to its signature Harmony collection, ZHIFU’s newly unveiled seven haute couture jewelry collections are guided by the creative themes “All Things Have a Spirit” and “Blossoms Bring Joy.”Drawing inspiration from millennia of Chinese civilization, these collections distill cultural symbols and reimagine timeless classics through the language of jewelry.

      The brand’s signature qualities—warmth, confidence, refinement, and elegance—serve not only as the subtle undercurrent of each piece, but also as cultural vessels that deeply resonate with the spiritual world of the Chinese people. These creations embody both exceptional craftsmanship and profound cultural meaning, showcasing a uniquely sophisticated aesthetic.

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   “Blossoms of Joy” centers around the symbolic beauty of oriental flowers. This mainline collection features the season’s key highlight — the Harmony series — alongside the return of last year’s beloved UP and ROSE series.
     The newly unveiled YULAN Haute Couture Necklace draws inspiration from the early spring magnolias of Mount Wuyi. With minimalist lines outlining the gentle unfolding of a flower bud, the design eschews ornate embellishments in favor of a refined dialogue between smooth jade and radiant gemstones. It embodies the noble spirit of the magnolia —“growing in quiet valleys, yet never withholding its fragrance”— a metaphor for integrity and grace. The piece not only reflects the subtle elegance of Eastern femininity, but also resonates with the wearer’s pursuit of inner purity and noble character.

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       “Spirits of All Living Things” draws inspiration from traditional Chinese mythical creatures and symbolic fauna, reinterpreting ancient motifs with modern craftsmanship and poetic vision.
The QINGTING Haute Couture Brooch-Pendant blends the agility of the dragonfly with the resilience of bamboo, symbolizing the aspirational spirit of “soaring high,” while echoing the enterprising motto of Southern Fujian: “Dare to strive, dare to win.”
The MIFENG Haute Couture Brooch-Pendant, inspired by the image of a bee gathering nectar, evokes tender memories of love and happiness.

The XIANHE Haute Couture Necklace draws from the traditional "crane in medallion" motif, expressing blessings of longevity and joyful occasions — symbolized by the crane as a harbinger of good fortune.
The Home Haute Couture Brooch outlines the graceful form of a swallow with minimalist metal lines, a tribute to the deep-rooted Chinese sentiment for home, homeland, and belonging.
The LONGGUI Haute Couture Brooch merges the legendary dragon and turtle — the Longgui — a mythical beast representing harmony between heaven and earth, in line with traditional Chinese philosophy.
Finally, the LOONG Classic Brooch reimagines the auspicious Pixiu through clean, modern lines, accented with diamonds, gracefully blending traditional symbolism with contemporary aesthetics.

From the refined elegance of floral motifs to the symbolic power of mythical creatures, the ZHIFU Haute Joaillerie Collection is far more than a simple replication of cultural symbols. It is ZHIFU’s artistic interpretation of the Chinese spirit — rendered through the language of jewelry.
Through delicate craftsmanship, the collection transforms abstract ideals such as noble character, aspiration and perseverance, and devotion to home and country into forms that can be touched, worn, and passed down. It not only gives contemporary voice to Eastern aesthetics but also invites the world to understand the spiritual essence and cultural depth of the Chinese people — through the brilliance of each jewel.
 

Industry Insight: Original Design as a New Voice for Chinese Jewelry

  The“Harmony in Bloom” 2026 launch is more than a product release — it is ZHIFU’s declaration of intent: to break free from conventionality, championing original design as the vehicle for Chinese cultural expression in high jewelry. While many domestic brands remain trapped in replicating historical patterns, ZHIFU offers a new paradigm — one where jewelry becomes a spiritual narrative, not just decorative art.
 

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  From its humble beginnings as the ZHIFU Gold Shop in Gulangyu in 1871, to its current presence on the international stage with globally debuting original collections, five generations of dedication have proven one thing: Chinese jewelry needs neither to mimic the past nor rely on Western aesthetics. With culture as its foundation and originality as its soul, ZHIFU is breaking the industry’s Western-centric narrative and establishing an autonomous voice for Eastern aesthetics.

This launch sets a new benchmark for the industry. Looking ahead, as more Chinese brands like ZHIFU continue to embrace originality and authentic self-expression, Chinese jewelry will not only become the preferred choice for global consumers, but through the power of creation, it will illuminate the global cultural dialogue with the warmth, confidence, refinement, and elegance of Eastern aesthetics—shining with a brilliance that is both unique and enduring.